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The Truth Behind the Magic: Why We’re Obsessed with Entertainment Documentaries

• hooks, b. (1981). Ain't I a Woman: Black Women and Feminism. Boston: South End Press.
• Davis, A. (1981). Women, Race, and Class. New York: Vintage Books.
• Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
• Mulvey, L. (1975). Visual Pleasure and Narrative Cinema. Screen, 16(3), 6-18.

The roots of the genre lie in the very birth of cinema. Early works by the Lumière brothers, such as Workers Leaving the Lumière Factory (1895), were "actualities" that documented short snippets of real life. By the 1920s, filmmakers like Robert Flaherty ( Nanook of the North ) and Dziga Vertov ( Man with a Movie Camera