Newness (2017) is a romantic drama directed by Drake Doremus, featuring Nicholas Hoult and Laia Costa as millennials navigating modern relationships and the complexities of "hookup culture" in Los Angeles. The film explores the challenges of emotional commitment in a digital age, often exploring the consequences of monogamy. The film is available to stream on platforms like Netflix and Plex.
(a physical therapy assistant from Spain) who meet through a Tinder-like dating app called Winx. The Honeymoon Phase
Cerita berpusat pada Martin (Nicholas Hoult) dan Gabi (Laia Costa). Keduanya bertemu melalui sebuah aplikasi kencan yang mengarah pada hubungan seksual tanpa ikatan (casual hookup). Namun, kelelahan akan budaya "hubungan tanpa makna" membuat mereka memutuskan untuk mencoba sesuatu yang baru: menjalin hubungan eksklusif yang serius. nonton newness -2017-
Martin dan Gabi adalah dua orang yang kecanduan akan sensasi "newness"—rasa baru yang muncul di awal pacaran. Ketika rasa baru itu pudar, mereka bingung bagaimana membangun fondasi cinta yang matang.
Jika Anda berencana untuk nonton Newness, pastikan Anda dalam suasana hati yang matang dan siap untuk menyaksikan gambaran yang jujur (dan terkadang memalukan) tentang hubungan generasi milenial. Newness (2017) is a romantic drama directed by
Two millennials in Los Angeles meet on a dating app and quickly start a committed relationship. To keep their connection "fresh" and avoid boredom, they decide to experiment with an open relationship , which leads to unexpected emotional complications. Where to Watch ( As of April 2026, availability varies by region: Google Watch Action Data
Released in 2017 and directed by Drake Doremus, is a raw, stylish dive into modern intimacy and the "swipe-right" culture of dating apps. Starring Nicholas Hoult and Laia Costa, the film explores what happens when two people who are addicted to the thrill of "newness" try to build something lasting. The Premise (a physical therapy assistant from Spain) who meet
The primary utility of watching Newness lies in its sharp diagnosis of what philosopher Byung-Chul Han calls the “agony of Eros.” The film argues that dating apps have commodified human beings. We swipe left or right with the same casual judgment we apply to choosing a product on an e-commerce site. This creates a paradox of choice: the more options we have, the less satisfied we are with any single one, because someone better, more exciting, or less flawed might be just one swipe away. Martin and Gabi embody this “grass is always greener” syndrome, mistaking anxiety for excitement and boredom for incompatibility.